Heather Ladd
BA (Carleton), MA (Carleton), PhD (UofT)I have recently moved to Vancouver from southern Alberta, where I was an Associate Professor of English at the University of Lethbridge. Supported by a Social Sciences and Humanities Research Council Doctoral Grant and an Ontario Graduate Scholarship, I completed my PhD at the University of Toronto in 2013. I have held library fellowships at Yale University’s Lewis Walpole Library, the Chawton House Library (UK), and the Moore Institute at the National University of Ireland, Galway. With Dr. Leslie Ritchie (Queen’s University), I have co-edited a collection of essays, English Theatrical Anecdotes, 1660-1800, which is under contract and forthcoming with the University of Delaware Press in the Performing Celebrity book series (Ed. Laura Runge). I am passionate about teaching and my pedagogical approach values critical thinking and dialogue within an inclusive learning environment.
Courses taught
- ENGL 1100: Introduction to University Writing
- ENGL 1202: Reading and Writing about Selected Topics
Areas of Interest
Restoration & eighteenth-century literature (British and Irish); theatre & drama with a specialization in comedy; celebrity; gender; sexual diversity; book history & print culture; animals in literature; nature poetry; children’s literature (British & Canadian); 17th & 18th-century philosophy (happiness & epistemology); the novel (eighteenth-century; Romantic; Gothic; Canadian)
Scholarly Work
- Book: Co-edited collection (with Dr. Leslie Ritchie, Queen’s University): English Theatrical Anecdotes, 1660-1800. University of Delaware Press (forthcoming)
- Book chapter: “Feminizing James Thomson’s The Seasons: Identity, Gender, and Seasonal Aesthetics in L. M. Montgomery’s Anne of Green Gables” (Co-written with Dr. Erin Spring, University of Calgary) in L.M. Montgomery and Gender. Eds. Laura Robinson and E. Holly Pike, McGill-Queen’s University Press (forthcoming)
- Book chapter: “‘Happy, happy, happy, thrice happy Pamela’: Gendered Happiness and Unhappiness in Pamela and Pamela II” in New Readings of Samuel Richardson. Eds. Rebecca Barr and James Smith, Manchester University Press (forthcoming)
- Article: “Music, Fantasy, and Fable: Thomas D’Urfey’s Wonders in the Sun and the Eighteenth-Century Political Animal” in Lumen. Vol. 39 (2020), pp. 133–157
- Book Chapter: “Identities” in the Bloomsbury Cultural History of Comedy: The Enlightenment (2020). Ed. Elizabeth Kraft, Bloomsbury Publishing, 2020. pp.93-117.
- Book Chapter: “A Bark and Stormy Night: Ann Radcliffe’s Animals” in Gothic Animals: Uncanny Otherness & the Animal With-Out (2020). Eds. Melissa Edmundson Makala and Ruth Heholt, Palgrave Macmillan. pp. 207-222.
- Article: Female Platonics in Pix’s The Innocent Mistress (1697) and Centlivre’s The Platonic Lady (1707) for the “Intertextual Networks Project,” part of the larger Women Writers Project Published Online August 2019
- Article: “Theatre, Celebrity, and Contagion: David Garrick’s 1742 Dublin Visit and James R. Planché's Garrick Fever,” Theatre Notebook, Vol. 72, No. 2 (2018), pp. 78-99.
- Book Chapter: “‘This Sport of Tormenting’: Cruel Children and their Animals in British Literature, 1750-1800” in Cruel Children in Popular Texts and Cultures. Eds. Chris Parkes and Monica Flegel, Palgrave Macmillan, 2018, pp. 17-40.
- Article: “John Gay’s Urban Aviary: Pastoral and Fabular Birds in The Beggar’s Opera” in Literary Imagination, vol. 19, no. 2, 2017, pp. 93-106.
- Article: “Chasing Eliza: Shifting and Static Women in Elizabeth Craven’s The Miniature Picture” in ABO: Interactive Journal for Women in the Arts, 1640-1830 Vol. 6: Iss.1, Article 2 (April 2016): pp. 1-17
- Reference work: “Benjamin Hoadly” in Wiley Encyclopedia of British Literature 1660-1789. Vol 2. Eds. Gary Day and Jack Lynch (Chichester: Wiley Blackwell, 2015) pp. 585-587.
- Article: “‘As Incomprehensible as the Northern Lights’: Authorial Identities in The Adventures of an Author” in Authorship. Vol 4, No 1 (2015)
- Book Chapter: “The Feminine and Feminized Under Siege: Invaded Spaces in Charlotte Smith’s The Banished Man.” Gender and Space in British Literature, 1660-1820. Eds. Mona Narain and Karen Gevirtz (Ashgate 2013) pp. 178-193.
- Creative Work
- “Monologue for Drag King Performance Adapted from A Narrative of the Life of Mrs. Charlotte Charke, written by Herself (1755)” (with scholarly introduction and conclusion) for alt.theatre (Canadian theatre magazine). Issue 15.1
- “The Changeful Muse, a Comedy in One Act” in Out of Sequence: The Sonnets Remixed. Ed. D. Gilson in Upstart: A Journal of English Renaissance Studies (August 2014)